I'm rolling out blog posts rather casually this week as I am currently on spring break and spending most of my time painting. Every October I have a large solo show of my work and with foot surgery again immediately after the school year ends in mid-June, I am trying to get a jump on work for that show. I keep notes on theme and painting ideas year-round but I typically only produce work in over an intense period of two to three consecutive months. It is a habit I have tried hard to break; things would be much more relaxed if I built up my inventory throughout the year. However, teaching (mid-August through mid-June) takes most of my time and energy, leaving little remaining to put into major art projects. In addition, when I work in these blazing bursts of enthusiasm, the pieces seem more cohesive and more joyful.
I've been toying with ideas for this year's show since last October. For a while, I thought I would do a show titled "A Gallery of Rogues," featuring several mini series of portraits in different materials & methods. At the same time though, I actually painted two large pieces that are animal-themed: A Parliament of Hooligans and The Hitchhikers. That was in keeping with other notes and sketches I was creating for a show that harks back to my "Motley Menagerie" series from 2012 but with more storytelling in the imagery.
Back and forth I went, trying to settle on an idea because a solid guiding theme is what fuels show production. I liked the idea of including the yearbook portraits in some form but in the end, I felt much more enthusiasm for returning to painting birds and animals; I had complied considerably more sketches with this critter-focused theme in mind than I had for a collection of portraits. In the end, I guess I decided to combine the two ideas, at least in part. This small canvas (8x8-inch) is one in a series of ten portraits of cats and dogs. I enjoyed painting these pieces immensely and as I worked, that excitement fueled my confidence that I can produce other works that are still in the drafting stage. That's a good indicator that I've made the right decision about this year's show direction.